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In his debut as a screenwriter and director, Joju George crafts a gripping tale with Pani, a revenge drama that transcends its typical storyline through exceptional storytelling and intense character dynamics. While the movie’s surface narrative revolves around vengeance, its exploration of human behavior and unpredictable instincts sets it apart from standard crime thrillers.
The film begins with a shocking murder in broad daylight, an event that sets the tone for what’s to come. However, Pani truly picks up when Don (Sagar Surya) and Siju (V.P. Junaiz), two novice hitmen, engage in a scuffle at a supermarket later that day. This incident reveals a shift in their psyche—having tasted blood for the first time, they are no longer just pawns in the crime world. Instead, their newfound animalistic instincts turn them into hunters, threatening even the most powerful in the city.
Joju George, who also plays Giri, a member of Thrissur’s ruling mafia syndicate, delves deep into the dynamics of power and revenge. The syndicate, comprising Giri and his close-knit allies, is presented as a family that shares years of camaraderie. Prashanth Alexander, Bobby Kurian, Sujith Sankar, and Abhaya Hiranmayi bring authenticity to their roles, portraying a gang that balances a polished public image with a dark, criminal underbelly.
The mafia’s calculated operations and its hold over the city add layers of intrigue. The inclusion of Kalyani (Chandini Sreedharan), the ACP and a cousin of the syndicate’s members, further enriches the narrative. The film cleverly juxtaposes the gang’s seemingly respectable facade as real estate magnates with their murky past, making viewers question their loyalties.
While Pani excels in pacing and intensity, Joju ensures the emotional depth isn’t sidelined. The relationship between Giri and his partner Gowri (Abhinaya) is tenderly portrayed, adding stakes to the unfolding drama. A standout car chase sequence injects adrenaline into the plot, keeping viewers on the edge of their seats.
However, the film is not without flaws. The excessive gore may not sit well with all audiences, and the graphic depictions of sexual assault feel unnecessary, leaning on a dated trope to justify vengeance. This aspect detracts from the film’s otherwise innovative approach, leaving a sour note in an otherwise compelling narrative.
Joju George demonstrates remarkable control as a storyteller, delivering a well-executed drama that keeps viewers engaged. The movie’s strength lies in its ability to make even the smallest players in the plot significant, while humanizing the mafia syndicate in unexpected ways.
In conclusion, Pani may have a familiar revenge-driven core, but its execution and focus on the complexities of human behavior elevate it. Joju George’s debut as a filmmaker is a commendable effort that promises more intriguing narratives in the future. For fans of gritty crime dramas, Pani is a must-watch.