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Welcome Wedding, directed by Aanand Raut, is a comedy-drama that attempts to weave humor, romance, and family dynamics into a narrative centered around an ambitious son and his stingy father. Unfortunately, the film struggles to deliver a coherent story or engaging experience for its audience.
Plot Summary
The story revolves around Daljit Khurana (Darshan Jariwala), a miserly widower, and his son, Prem (Sahil Kohli), who returns from the US after completing his studies. While Daljit wishes for Prem to join the family business, Prem aspires to earn ₹100 crore in just three months through his own scheme. Simultaneously, Daljit’s mother (Farida Dadi) approves of Lavanya (Komal Jha) as a suitable match for Prem. Lavanya is the daughter of Daljit’s office manager, Satyanarayan Pande (Raju Kher).
The story takes a bizarre turn when news breaks that actress Rakhi Sawant (playing herself) is set to marry Daljit, with the wedding and suhagraat to be broadcast live on television. This revelation sets off a chain of absurd events, including wedding preparations and romantic developments between Prem and Lavanya.
Analysis
The film’s premise is built on a highly implausible plot point: a television channel agreeing to pay ₹120 crore for a live broadcast of Daljit’s wedding and suhagraat. The idea is so far-fetched that it undermines the credibility of the narrative. The screenplay, written by Sachindra Sharma, does include some light-hearted moments, but the overall execution fails to keep the audience engaged. The romantic subplot is underdeveloped, and the comedy often feels repetitive and forced.
The dialogues are functional at best, lacking the wit or charm needed for a film that leans heavily on humor.
Performances
Darshan Jariwala delivers an average performance as Daljit, but his character lacks the depth or charisma to anchor the film. Sahil Kohli as Prem fails to leave a lasting impression, while Komal Jha’s portrayal of Lavanya is equally unremarkable. Rakhi Sawant stands out as herself, bringing energy to her scenes and impressing with her dance numbers.
Rajpal Yadav, as Chaman, provides some comic relief, but his repetitive antics eventually become grating. Supporting cast members, including Raju Kher and Farida Dadi, do little to elevate the film.
Technical Aspects
Aanand Raut’s direction is hindered by the weak script. The music by Raaj Aashoo is passable, with tracks like Pyaar Ki Local Chali and Patati Hai Toh Pat offering momentary respite. The cinematography by Naren A. Gedia is routine, and the editing by Parth Y. Bhat lacks sharpness. Overall, the technical aspects fail to make a significant impact.
Verdict
Welcome Wedding is a disappointing effort that falters due to its implausible storyline, weak screenplay, and lackluster performances. While it has a few moments of humor, they are not enough to salvage the film. With a more believable plot and better execution, it might have had potential, but as it stands, Welcome Wedding is unlikely to leave a lasting impression.
Rating: 1.5/5
This review reflects the lack of expertise and depth in the storytelling, making it a cautionary tale for filmmakers aiming to balance humor and drama.