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In an era where historical epics are redefining Indian cinema, Chhaava emerges as a bold retelling of the life of Chhatrapati Sambhaji Maharaj—the fearless son of Maratha legend Shivaji Maharaj. Directed by Laxman Utekar and headlined by Vicky Kaushal, this film dives deep into the unsung bravery of a king who defied the Mughal empire, refusing to let his father’s legacy fade even in the face of betrayal and brutality. Based on Shivaji Sawant’s acclaimed Marathi novel, Chhaava isn’t just a biopic; it’s a roaring reminder of a warrior whose name deserves to echo through history.
The Story of a Lion’s Cub
The film begins in the shadow of Chhatrapati Shivaji Maharaj’s death, a moment that emboldens the Mughals to expand their dominion in the Deccan. What follows is the rise of Sambhaji (Vicky Kaushal), who transforms from a grieving son into a ruler determined to protect Swaraj (self-rule). The narrative spotlights his nine-year reign, marked by strategic invasions like the audacious attack on Burhanpur, and his relentless resistance against Aurangzeb (Akshaye Khanna). But Chhaava doesn’t shy away from his tragic end captured by traitors, tortured by the Mughals, and executed—yet immortalized as a symbol of defiance.
A Director’s Vision and the Film’s Highs & Lows
Laxman Utekar, known for lighter films like Luka Chuppi, steps into uncharted territory with this grand historical. While the movie opens with a gripping slow-motion sequence showcasing Sambhaji’s entry, the first half struggles with pacing, often feeling like a montage of events rather than a cohesive story. However, the second half roars to life, delivering an emotionally charged and action-packed climax. The final 30 minutes, featuring Sambhaji’s lone stand against Mughal forces, are masterfully shot, blending raw emotion with breathtaking visuals.
The film’s scale is undeniable—sweeping battlefields, intricate costumes, and authentic sets transport viewers to the 17th century. Yet, the screenplay occasionally falters, relying heavily on AR Rahman’s background score to drive tension. While Rahman’s Aaya Re Toofan elevates the war sequences with traditional Nashik Dhol beats, other tracks like Jaane Tu feel anachronistic, clashing with the film’s historical setting.
Vicky Kaushal: The Heart, Soul, and Fury of Chhaava
If there’s one reason to watch Chhaava, it’s Vicky Kaushal. The actor disappears into the role of Sambhaji, embodying his ferocity, vulnerability, and unyielding spirit. From thunderous war cries to quiet moments of grief, Kaushal delivers a career-defining performance. His chemistry with Ashutosh Rana (as Senapati Hambirrao Mohite) and Vineet Kumar Singh (as Kavi Kalash) adds depth to the political and emotional layers of the story. Akshaye Khanna’s Aurangzeb, though understated, leaves a mark with chilling one-liners, even as excessive prosthetics occasionally distract.
The Missed Opportunities
While the men dominate the screen, the female characters are sidelined. Divya Dutta, as the sharp-tongued Maharani Soyarabai, commands attention in her limited role but deserved more screen time. Rashmika Mandanna, playing Queen Yesubai, struggles with dialogue delivery and accents, while Diana Penty’s stiff performance as Aurangzeb’s ally feels out of place.